Later that night, after dinner, we hit '80s night at legendary downtown bar Barbarella's. It was lively enough, but it was as if a giant broom had swept everyone over the age of 40 off the streets. Earlier, around rush hour, Congress Avenue had been nearly devoid of traffic as the city's workforce had resigned itself to telecommuting. We shared a sobering ride in an Uber with a driver who's sorely missing the $400 a night she'd normally take in during SXSW. "Poor little Austin," she said, surveying the dwindling crowds on the streets. "It's like a Monday out here. A slow Monday."
Our fellow passenger, a born and raised Austinite, works at a barbecue restaurant downtown. "I had four customers this morning," he said. But, he said, he gets paid a salary, so he wasn't complaining. "It was a nice break," he said.
Not surprisingly, he's not the only Austinite to express a kind of grudging relief at the unexpected peace and quiet. "I have a good friend, born and raised here, went to McNeil High School," the driver added with a chuckle. '"He's like, 'I've been waiting 25 years for them to cancel SXSW.'"
Hugo and I follow a promoter's Instagram page to a "secret" house music show at Empire Control Room downtown, where a DJ spins records on a stand wrapped in foamy gauze and a girl with Christmas lights trimming her corset go-go dances in front of the crowd. Our bartender greets us with a fist bump. "Can't be too careful," he said with a sigh, before handing us a cocktail menu.
This post will be updated.
Claire Shefchik is a writer and journalist in the British Virgin Islands, where she writers about travel, culture, and the "other side of paradise." She has an MFA from Sarah Lawrence College, and her work has appeared in The Washington Post, Cosmopolitan, Minneapolis Star Tribune, Seattle Times, Town and Country, Fodors, Atlas Obscura, Mental Floss, and more. Find her on Twitter at @clairels.