<img class="gwt-Image" src="/photo/28176893.cms" /> Just a few hours from now and a brand new 2014 will be upon us with cheering, partying and celebrations taking place all over the world. But how was the <keyword id="17892" type="ORGANIZATION" weightage="100" keywordseo="bollywood-party">Bollywood party</keyword> in the year 2013? How did the <keyword id="1996024" type="PERSON" weightage="100" keywordseo="Dream-merchants">dream merchants</keyword> fare, what about <keyword id="1996031" type="UNKNOWN" weightage="100" keywordseo="Box-office-performance">box office performance</keyword> and most importantly, what was on the platter for the audience? <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> will never be the same again post 2013 – a year that has given the mainstream <keyword id="1996034" type="UNKNOWN" weightage="100" keywordseo="Indian-movie-industry">Indian movie industry</keyword> many reasons to rejoice. 
 
For one, Bollywood has gone big in every sense of the term. Unlike last year when small-budget films managed to make big bucks, 2013 was the year of the biggies and crores of rupees were spent on production and marketing. Movies like <keyword id="24705" type="ENTERTAINMENT" weightage="100" keywordseo="Dhoom-3">Dhoom 3</keyword>, <keyword id="500441" type="ENTERTAINMENT" weightage="100" keywordseo="Krrish-3">Krrish 3</keyword> and <keyword id="227940" type="COMPANY" weightage="100" keywordseo="Chennai-Express">Chennai Express</keyword> top this trend but others are catching up fast. After all, the savvy audience of today wants big-time <keyword id="4578" type="COMPANY" weightage="100" keywordseo="entertainment">entertainment</keyword> that spells perfection and novelty – be it great <keyword id="5210" type="UNKNOWN" weightage="100" keywordseo="Star-cast">star cast</keyword>, exotic <keyword id="6542811" type="UNKNOWN" weightage="100" keywordseo="locations">locations</keyword> or stunning <keyword id="648530" type="ENTERTAINMENT" weightage="100" keywordseo="Special-effects">special effects</keyword>. But all these require big money – a prerequisite for <keyword id="1996041" type="UNKNOWN" weightage="100" keywordseo="Box-office-success">box office success</keyword>. Big-budget movies have not disappointed either and at least nine blockbusters have raced to the coveted <keyword id="925977" type="UNKNOWN" weightage="100" keywordseo="Rs-100-crore-club">Rs 100 crore club</keyword> in CY2013. 
 Also, in a bid to grab a bigger chunk of the <keyword id="182563" type="ORGANIZATION" weightage="100" keywordseo="BO">BO</keyword> pie, Bollywood has pushed global distribution and aggressively targeted as many screens as possible, both in India and abroad. For instance, Dhoom 3 has reportedly grabbed the biggest number of screens this time – around 4,500 in India and 750 screens overseas. The previous record was held by Chennai Express (3,700 screens at home and 700 screens abroad). 
 Bollywood has also witnessed a spate of diverse themes – from <keyword id="6355304" type="PERSON" weightage="100" keywordseo="action">action</keyword> thrillers like Dhoom 3 and <keyword id="115922" type="ENTERTAINMENT" weightage="100" keywordseo="Race-2">Race 2</keyword> to <keyword id="1996044" type="UNKNOWN" weightage="100" keywordseo="Superhero-movies">superhero movies</keyword> like Krrish 3, from romance-dramas like Chennai Express, <keyword id="1886157" type="UNKNOWN" weightage="100" keywordseo="Ram-Leela">Ram-leela</keyword> and <keyword id="791377" type="UNKNOWN" weightage="100" keywordseo="Yeh-Jawaani-Hai-Deewani">Yeh Jawaani Hai Deewani</keyword> to <keyword id="145976" type="UNKNOWN" weightage="100" keywordseo="adult-comedy">adult comedy</keyword> <keyword id="6621270" type="UNKNOWN" weightage="100" keywordseo="Grand-Masti">Grand Masti</keyword> and the impressive <keyword id="394815" type="UNKNOWN" weightage="100" keywordseo="biopic">biopic</keyword> <keyword id="127336" type="ENTERTAINMENT" weightage="100" keywordseo="Bhaag-Milkha-Bhaag">Bhaag Milkha Bhaag</keyword>. Almost every theme found its niche audience and managed to do big business, which indicate we are maturing as movie-goers. Here’s a quick look at this year’s <keyword id="671120" type="UNKNOWN" weightage="100" keywordseo="bollywood-blockbusters">Bollywood blockbusters</keyword>, their financials and a brief recap of the movies. 
 
Images: Wikipedia, Indiatimes

9 Bollywood Blockbusters
That Entered Rs 100 Crore Club In 2013

<img class="gwt-Image" src="/photo/26048745.cms" /> 
After the superb action from superhero flick <keyword id="500441" type="ENTERTAINMENT" weightage="100" keywordseo="Krrish-3">Krrish 3</keyword>, came this sizzler – <keyword id="1942272" type="UNKNOWN" weightage="100" keywordseo="Goliyon-Ki-Raasleela-Ram-leela">Goliyon Ki Raasleela Ram-Leela</keyword> – a love story with a good dose of spunky cynicism. But the <keyword id="1943889" type="UNKNOWN" weightage="100" keywordseo="Romance-drama">romance-drama</keyword> from director-producer <keyword id="6358308" type="PERSON" weightage="100" keywordseo="sanjay-leela-bhansali">Sanjay Leela Bhansali</keyword> has stirred up quite a few controversies and failed to catch up with Krrish 3 or <keyword id="227940" type="COMPANY" weightage="100" keywordseo="Chennai-Express">Chennai Express</keyword> who reportedly grossed Rs 100 crore just after 4 days. In contrast, <keyword id="1886157" type="UNKNOWN" weightage="100" keywordseo="Ram-Leela">Ram-Leela</keyword>’s total <keyword id="182563" type="ORGANIZATION" weightage="100" keywordseo="BO">BO</keyword> collection stood at a little less than Rs 60 crore after Day IV, according to industry estimates. 
 <keyword id="122490" type="POSITION" weightage="80" keywordseo="film-critic">Film critic</keyword> and analyst <keyword id="107593" type="PERSON" weightage="60" keywordseo="Taran-Adarsh">Taran Adarsh</keyword> is, however, constantly tweeting about how the Ranveer Singh-Deepika Padukone starrer is doing a great job overseas. Its total screen count in the international arena stands at 550 and the <keyword id="6356021" type="ORGANIZATION" weightage="100" keywordseo="movie">movie</keyword> had a superb start in the UAE-GCC, the US, <keyword id="6356687" type="COUNTRY" weightage="80" keywordseo="canada">Canada</keyword> and Australia. 
 
According to Adarsh, the movie has taken the global markets by storm and the overseas business during the opening weekend (Nov 15-17) has been bigger than both Krrish 3 and <keyword id="791377" type="UNKNOWN" weightage="80" keywordseo="Yeh-Jawaani-Hai-Deewani">Yeh Jawaani Hai Deewani</keyword>. The opening day was proof enough for that. 
 #RamLeela USA-Canada Fri $450,000. Excellent!... tweeted Adarsh. #RamLeela Fri numbers in USA-Canada are bigger than #YJHD ($430,000], #Krrish3 ($ 311,000), #ZNMD (<keyword id="6373898" type="ENTERTAINMENT" weightage="80" keywordseo="Zindagi-Na-Milegi-Dobara">Zindagi Na Milegi Dobara</keyword>, $ 240,000) and #Dabangg2 ($ 320,000). 
 Overall, the <keyword id="681" type="COMPANY" weightage="100" keywordseo="film">film</keyword> has landed around $4 million or Rs 25 crore overseas in its first weekend, he wrote on a movie site. If it is released in 51 screens across <keyword id="87" type="COUNTRY" weightage="80" keywordseo="Germany">Germany</keyword> next week, things will definitely look brighter for the <keyword id="1943892" type="UNKNOWN" weightage="100" keywordseo="SLB-flick">SLB flick</keyword>. 
 But what about the <keyword id="6382118" type="UNKNOWN" weightage="100" keywordseo="Domestic-Market">domestic market</keyword> where Ram-Leela has opened in nearly 3,500 screens? Cricket legend Sachin Tendulkar’s last match could have thrown a spanner in the works during the first weekend, but it did not happen as anticipated. In fact, the movie saw around 70-80% occupancy in Delhi, Mumbai, Gujarat and Uttar Pradesh circuits. That certainly spurred business and it made over Rs 30 crore in just 2 days, with the first day cash haul estimated at Rs 16 crore. 
 
As expected, the film has come with all the usual SLB trappings. Deepika ‘hot-bod’ Padukone and the equally hot Ram have whipped up a sizzling chemistry rarely found on-screen. Well, well, she has been doing it for some time now – right from <keyword id="115922" type="ENTERTAINMENT" weightage="80" keywordseo="Race-2">Race 2</keyword> to Yeh Jawaani Hai Deewani and Chennai Express. Shot in the backdrop of Gujarat (Kutch, to be precise), the film also has <keyword id="20895" type="PERSON" weightage="100" keywordseo="Supriya-Pathak">Supriya Pathak</keyword>, <keyword id="6366549" type="UNKNOWN" weightage="100" keywordseo="Richa-Chadda">Richa Chadda</keyword> and <keyword id="651479" type="PERSON" weightage="100" keywordseo="Gulshan-Devaiah">Gulshan Devaiah</keyword> in some key roles. And the story, loosely based on <keyword id="87923" type="PERSON" weightage="80" keywordseo="William-Shakespeare">William Shakespeare</keyword>’s epic romance Romeo and Juliet, has an overdose of everything – vibrant set-up, ethnic costumes, mind-blowing music, great dance numbers and a subtle, satirical touch. 
 Still, the fact remains that it has not romped its way to the Rs <keyword id="6567206" type="UNKNOWN" weightage="100" keywordseo="100-crore-club">100 crore club</keyword> the way Deepika’s earlier two movies did (incidentally, <keyword id="6354563" type="PERSON" weightage="80" keywordseo="Hrithik-Roshan">Hrithik Roshan</keyword>’s Krrish 3 is now the <keyword id="1943900" type="UNKNOWN" weightage="100" keywordseo="Highest-Bollywood-grosser">highest Bollywood grosser</keyword> with Rs 231 crore till Nov 16 and still counting). Also, a <keyword id="271279" type="ORGANIZATION" weightage="80" keywordseo="Bareilly-court">Bareilly court</keyword> has directed today to lodge a case against the <keyword id="303" type="POSITION" weightage="100" keywordseo="Director">director</keyword> and the star cast of Ram-Leela, following a petition that it glorified <keyword id="6355987" type="ORGANIZATION" weightage="100" keywordseo="violence">violence</keyword> and <keyword id="109676" type="UNKNOWN" weightage="100" keywordseo="Obscenity">obscenity</keyword>. And that could spell further trouble for the movie. 
 Earlier too, a PIL had been filed on the ground that the movie has humiliated the <keyword id="624" type="ORGANIZATION" weightage="80" keywordseo="Women">women</keyword> of the <keyword id="1485927" type="UNKNOWN" weightage="100" keywordseo="Darbar-community">Darbar community</keyword> and hurt religious sentiments. Several organisations have demanded a ban on the film and the opening day had been marred with protests and demonstrations. Would all be well with Ram-Leela in the coming weeks? 
 
Image: Indiatimes.com

Ram-Leela Yet To Enter Rs 100 Crore Club; What
Happened After A Great Start?

<img class="gwt-Image" src="/photo/37123563.cms" /> <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> has produced plenty of crass slapstick comedies over the years, but <keyword id="1718975" type="UNKNOWN" weightage="100" keywordseo="Humshakals">Humshakals</keyword> seems to beat them all. There’s no method in this madness as <keyword id="136180" type="UNKNOWN" weightage="100" keywordseo="director-Sajid-Khan">director Sajid Khan</keyword> attempted to create a <keyword id="2368861" type="UNKNOWN" weightage="100" keywordseo="Multi-starrer-entertainer">multi-starrer entertainer</keyword> <keyword id="6485088" type="ORGANIZATION" weightage="100" keywordseo="wit">wit</keyword>hout sparkling wit, intelligence and a tight <keyword id="6371619" type="UNKNOWN" weightage="100" keywordseo="plot">plot</keyword> that would have produced some rollicking fun and an intriguing escapade. But Humshakals never rose above <keyword id="2368891" type="UNKNOWN" weightage="100" keywordseo="Tiresome-gags">tiresome gags</keyword> and <keyword id="2368890" type="UNKNOWN" weightage="100" keywordseo="Banal-humour">banal humour</keyword> in spite of some <keyword id="2368892" type="UNKNOWN" weightage="100" keywordseo="Good-acting">good acting</keyword>. Still, here’s the surprise of surprise, the movie has hit <keyword id="18712" type="ENTERTAINMENT" weightage="80" keywordseo="Gold">gold</keyword> at the <keyword id="827271" type="UNKNOWN" weightage="100" keywordseo="Domestic-Box-Office">domestic box office</keyword>, raking in Rs 40.13 crore nett in the first three days (trade figure Rs 34.91 crore). It is the 4th biggest opening weekend this year after <keyword id="6593120" type="PERSON" weightage="60" keywordseo="Jai-Ho">Jai Ho</keyword> (Rs 60.68 crore), <keyword id="6427325" type="UNKNOWN" weightage="100" keywordseo="Gunday">Gunday</keyword> (Rs 43.93 crore) and Holiday (Rs 41.32 crore). 
 
“Humshakals Fri 12.50 cr, Sat 12.59 cr, Sun 15.04 cr. Total: Rs 40.13 cr nett India biz,” tweeted Bollywood trade analyst and film critic, Taran Adarsh. Overseas total is approximately $2.02 million or Rs 12.16 crore from 40 countries, according to Adarsh. However, Monday collections at home saw a sheer drop of more than 60%, reaching a little over Rs 5 crore as per industry estimates. Total <keyword id="1996076" type="UNKNOWN" weightage="100" keywordseo="Domestic-collections">domestic collections</keyword> after Day IV stood at Rs 45.23 crore nett, which means the movie is all set to hit the <keyword id="2368887" type="UNKNOWN" weightage="100" keywordseo="Rs-50-crore-mark">Rs 50 crore mark</keyword> at home by Day V. Although it is a <keyword id="87291" type="UNKNOWN" weightage="100" keywordseo="big-budget-movie">big budget movie</keyword> and cost a whopping Rs 75 crore including P&amp;A, <keyword id="106474" type="CITY" weightage="100" keywordseo="Fox-Star-Studios">Fox Star Studios</keyword> and <keyword id="22777" type="PERSON" weightage="100" keywordseo="Vashu-Bhagnani">Vashu Bhagnani</keyword>’s Humshakals has acted smart and already bagged Rs 45 crore by selling its satellite and music rights. 
 
Humshakals hit nearly 3,000 screens and it is the third <keyword id="2368881" type="UNKNOWN" weightage="100" keywordseo="Widest-release">widest release</keyword> of 2014, behind Jai Ho and Holiday. Going by the <keyword id="2368884" type="UNKNOWN" weightage="100" keywordseo="Opening-day-performance">opening day performance</keyword>, it ranks third this year – Rs 12.50 crore nett on Friday (June 20). Salman Khan-starrer Jai Ho tops the list with Rs 17.50 crore while Ranveer Singh-Arjun Kapoor-Priyanka Chopra-starrer Gunday amassed Rs 15.50 crore on <keyword id="2368879" type="UNKNOWN" weightage="100" keywordseo="Debut-day">debut day</keyword>. 
 
 <img class="gwt-Image" src="/photo/37123618.cms" /> 
 Coming back to the critical part of the movie, we were literally at a loss to track the <keyword id="1097560" type="UNKNOWN" weightage="100" keywordseo="storyline">storyline</keyword>. Here are three male stars – <keyword id="333" type="PERSON" weightage="100" keywordseo="Saif-Ali-Khan">Saif Ali Khan</keyword> (<keyword id="2368848" type="UNKNOWN" weightage="100" keywordseo="Ashok-Singhania">Ashok Singhania</keyword>, the tycoon), his best friend <keyword id="1420" type="PERSON" weightage="100" keywordseo="Riteish-Deshmukh">Riteish Deshmukh</keyword> (<keyword id="6358442" type="COMPANY" weightage="100" keywordseo="Kumar">Kumar</keyword>) and <keyword id="17416" type="PERSON" weightage="100" keywordseo="Ram-Kapoor">Ram Kapoor</keyword> (Ashok’s <keyword id="529153" type="ENTERTAINMENT" weightage="80" keywordseo="Wicked">wicked</keyword> <keyword id="2368847" type="UNKNOWN" weightage="100" keywordseo="Mamaji-Kunwar-Amarnath-Singh">Mamaji Kunwar Amarnath Singh</keyword> who is after his wealth) – but to complicate matters, you will find them all in triple roles. Also, true to Bollywood ishtyle, Ram Kapoor manages to pack off Ashok and Kumar to a <keyword id="495099" type="UNKNOWN" weightage="100" keywordseo="mental-asylum">mental asylum</keyword> where their <keyword id="2368862" type="UNKNOWN" weightage="100" keywordseo="Doppelgangers">doppelgangers</keyword> are being treated. 
 What follows is pure mayhem, especially when a third set of Ashok and Kumar (this time created with the help of plastic surgery) comes on board to dupe the real duo. The baddie (Ram Kapoor) also gets his fair share of lookalikes and all three <keyword id="2368864" type="UNKNOWN" weightage="100" keywordseo="Male-leads">male leads</keyword> caper around as females in various outfits and hair-dos. The climax at the <keyword id="118569" type="ORGANIZATION" weightage="80" keywordseo="House-of-Commons">House of Commons</keyword> was as muddled and wobbly as the <keyword id="2368854" type="UNKNOWN" weightage="100" keywordseo="Multi-layered-plot">multi-layered plot</keyword> and fails to tickle us. Sajid also got hold of three dazzling female leads – <keyword id="654350" type="UNKNOWN" weightage="100" keywordseo="Tamannaah-Bhatia">Tamannaah Bhatia</keyword> (<keyword id="2425" type="PERSON" weightage="100" keywordseo="Shanaya">Shanaya</keyword> who is Ashok’s lady love), <keyword id="8112" type="PERSON" weightage="100" keywordseo="Bipasha-Basu">Bipasha Basu</keyword> (<keyword id="792912" type="PERSON" weightage="100" keywordseo="mishti">Mishti</keyword>, Kumar’s love interest) and <keyword id="7427" type="PERSON" weightage="100" keywordseo="Esha-Gupta">Esha Gupta</keyword> (Dr <keyword id="1385858" type="PERSON" weightage="100" keywordseo="Shivani-Gupta">Shivani Gupta</keyword> who was taking care of Ashok and Kumar in the asylum) – but they had little to do in this movie. 
 Going by its <keyword id="25892" type="ORGANIZATION" weightage="100" keywordseo="box-office">box office</keyword> performance, the audience must have given a thumbs-up to Humshakals. But even a commercially successful movie may have a great many pitfalls. As film critic Saibal Chatterjee so aptly says, “Humshakals is an execrable comedy of horrors that plumbs the depths of stupidity and crassness... Sorry, Mr Khan, no matter how much money your film ends up with at the box office, the joke is entirely on you!” 
 
Images: Indiatimes

Box Office: Humshakals Strikes Gold But There’s No Method In This
Madness

<ul><li>War earned between ₹10-11 crore on its second Saturday across 3,000 screens in India. </li><li>It became the second highest grosser of 2019, a title previously held by Aditya Dhar’s ‘Uri: The Surgical Strike’. </li><li>War might also become the highest grossing film of 2019 next weekend, reported Box office India. </li><li>It is Hrithik Roshan’s highest grosser in North America, according to experts.</li></ul>The collections of Hrithik Roshan and Tiger Shroff-starrer War crossed ₹250 crore in 11 days of its release, says film critic <keyword id="107593" type="PERSON" weightage="20" keywordseo="Taran-Adarsh">Taran Adarsh</keyword>. It became the second highest grosser of 2019, a title previously held by Aditya Dhar’s ‘<a href="https://boxofficeindia.com/movie.php?movieid=5569">Uri: The Surgical Strike</a>’ 
	<div type="twitter" handle="taran_adarsh" handlename="taran adarsh" image="http://pbs.twimg.com/profile_images/1440352704/profile_pic_taran_normal.jpg" favoritecount="11228" retweetcount="1017" status="#War benchmarks... Crossed ₹ 50 cr: Day 1 ₹ 100 cr: Day 3 ₹ 125 cr: Day 4 ₹ 150 cr: Day 5 ₹ 175 cr: Day 6 ₹ 200 cr:… https://t.co/5GVn9wT6wx" createdat="1570959641000" id="1183316619554017282"></div>



 The film earned between <a href="https://www.boxofficeindia.com/report-details.php?articleid=5522">₹10-11 crore </a> on its second Saturday. It is <a href="https://www.indiatoday.in/movies/bollywood/story/war-box-office-collection-day-11-hrithik-roshan-and-tiger-shroff-film-crosses-rs-250-crore-mark-1608798-2019-10-13">projected</a> to earn ₹15 crore more on its second Saturday. It The film is still running at 3,000 screens in the country. The movie was initially released across 4200 screens had and collected <a href="https://www.boxofficeindia.com/report-details.php?articleid=5522">₹</a>53.3 crore on its opening day. War is an action thriller where an Indian soldier Khalid (<keyword id="133664" type="PERSON" weightage="20" keywordseo="Tiger-Shroff">Tiger Shroff</keyword>) is assigned to kill his mentor Kabir (Hrithik Roshan)--a spy gone rogue. Experts believe that War is going to beat Kabir Singh and become the top grossing film of 2019, next weekend. Kabir Singh starring <keyword id="6355887" type="PERSON" weightage="20" keywordseo="Shahid-Kapoor">Shahid Kapoor</keyword> and Kiara Advani earned ₹277 crore at the box office. But <keyword id="2823" type="PERSON" weightage="20" keywordseo="Akshay-Kumar">Akshay Kumar</keyword>’s Housefull 4 which will release during Diwali, might spoil War’s party. 
	<div type="twitter" handle="taran_adarsh" handlename="taran adarsh" image="http://pbs.twimg.com/profile_images/1440352704/profile_pic_taran_normal.jpg" favoritecount="7215" retweetcount="781" status="#War flies high yet again... Biz shows a big upturn on [second] Sat, making its journey to ₹ 300 cr a surety...… https://t.co/jsXW6HOXrP" createdat="1570959613000" id="1183316502780366851"></div>



 The international collections of War are also high. According to <a href="https://www.indiatoday.in/movies/bollywood/story/war-box-office-collection-day-11-hrithik-roshan-and-tiger-shroff-film-crosses-rs-250-crore-mark-1608798-2019-10-13">Business Standard</a>, until Saturday, the film grossed $2.7 million in USA-Canada, $3.4 million in UAE-GCC, $600,000 in UK and $2.29 million in other international markets. The total overseas collection of the film on 12 October, 2019 stood $9 million. It is Hrithik Roshan’s highest grosser in North America (USA and Canada together),<a href="https://twitter.com/taran_adarsh/status/1183321622603694080"> according to experts. </a>The movie, directed by Siddharth Anand and produced by <keyword id="36603" type="COMPANY" weightage="20" keywordseo="Yash-Raj-Films">Yash Raj Films</keyword>, opened countrywide on October 2. See also: <a href="https://www.businessinsider.in/entertainment/news/hrithik-roshan-and-tiger-shroff-starrer-war-enters-the-200-crore-club/articleshow/71516383.cms">Hrithik Roshan and Tiger Shroff-starrer War enters the ₹200 crore club</a> <a href="https://www.businessinsider.in/tech/news/joker-had-the-biggest-october-opening-weekend-ever-taking-in-93-5-million/articleshow/71467961.cms">'Joker' had the biggest October opening weekend ever, taking in $93.5 million</a>

Hrithik Roshan’s War earns ₹250 crore in 11 days—becomes second highest grosser of 2019

<img class="gwt-Image" src="/photo/39227456.cms" /> 
Get Your <keyword id="6362088" type="ENTERTAINMENT" weightage="100" keywordseo="kick">Kick</keyword> This Eid, yells the movie poster and sure enough, it has never been this good for a <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> release in 2014. <keyword id="1470620" type="PERSON" weightage="100" keywordseo="superstar-Salman-Khan">Superstar Salman Khan</keyword> is back with Kick, his second venture of the current year, and the action-drama raced past his earlier outing <keyword id="6593120" type="PERSON" weightage="80" keywordseo="Jai-Ho">Jai Ho</keyword> (opening weekend collection Rs 58.50 crore at home). Released on July 25, the Salman Khan-Jacqueline Fernandez-starrer netted a mammoth Rs 83.83 crore at the <keyword id="827271" type="UNKNOWN" weightage="100" keywordseo="Domestic-Box-Office">domestic box office</keyword> in the first three days (trade figure stood at Rs 82.01 crore) and is expected to hit the Rs 100 crore mark on Day 5 (July 29) at home. 
 
“Kick has a SPECTACULAR weekend. Fri 26.50 cr, Sat 27.15 cr, Sun 30.18 cr. Total: Rs 83.83 cr nett. India biz. REMARKABLE,” tweeted film critic and analyst Taran Adarsh. This is the highest opening day collection in 2014, but Kick failed to beat the debut day records of <keyword id="6355923" type="PERSON" weightage="80" keywordseo="Aamir-Khan">Aamir Khan</keyword>’s <keyword id="24705" type="ENTERTAINMENT" weightage="60" keywordseo="Dhoom-3">Dhoom 3</keyword> (Rs 36 crore), <keyword id="4546" type="PERSON" weightage="80" keywordseo="Shah-Rukh">Shah Rukh</keyword>’s Chennai Express (Rs 33.10 crore) and Salman’s own <keyword id="638019" type="UNKNOWN" weightage="80" keywordseo="Ek-Tha-Tiger">Ek Tha Tiger</keyword> (Rs 32.92 crore). Neither could it beat Dhoom 3’s record of entering the Rs 100 crore club in just three days. Interestingly, Salman’s Ek Tha Tiger entered the 100 crore club in the first weekend. 
 Although first Monday collections saw a huge 50% drop in earnings (compared to Sunday) at the domestic <keyword id="25892" type="ORGANIZATION" weightage="100" keywordseo="box-office">box office</keyword>, the movie collected around Rs 13.5 crore as per industry estimates, taking Kick’s four-day total to Rs 97.3 crore (approx.). The flick has also done some good business overseas and grossed around Rs 22 crore at the end of Day 4. “Kick is excellent in USA-Canada and has performed well elsewhere. The business will get a further boost once the Eid festivities begin,” said Adarsh in another tweet. 
 
With Kick hitting the 100 crore mark globally, Salman now has seven <keyword id="2448807" type="UNKNOWN" weightage="100" keywordseo="100-crore-grossers">100 crore grossers</keyword> to his credit. The earlier six include Ek Tha Tiger, <keyword id="35445" type="POSITION" weightage="80" keywordseo="bodyguard">Bodyguard</keyword>, <keyword id="94964" type="ENTERTAINMENT" weightage="80" keywordseo="Dabangg">Dabangg</keyword> and Dabangg2, <keyword id="18142" type="ENTERTAINMENT" weightage="80" keywordseo="Ready">Ready</keyword> and Jai Ho. As for the opening weekend, Kick is the fourth highest grosser of all time – after Dhoom 3 (Rs 107 crore), Chennai Express (100.35 crore) and Ek Tha Tiger (Rs 116.05 crore). Although <keyword id="95158" type="ENTERTAINMENT" weightage="80" keywordseo="RA-One">Ra.One</keyword> (Rs 91.10 crore) and Bodyguard (Rs 86.10 crore) had earned more than Kick, both movies had a 5-day weekend. 
 
 <img class="gwt-Image" src="/photo/39227597.cms" /> 
 
Kick is the <keyword id="41623" type="UNKNOWN" weightage="100" keywordseo="Directorial-debut">directorial debut</keyword> of <keyword id="27326" type="PERSON" weightage="100" keywordseo="Sajid-Nadiadwala">Sajid Nadiadwala</keyword>, known for producing big hits like Housefull, Heropanti, 2 States and Highway. This movie, too, has been produced by Nadiadwala and is marketed and distributed by <keyword id="61407" type="COMPANY" weightage="100" keywordseo="UTV-motion-pictures">UTV Motion Pictures</keyword>, a part of the <keyword id="473638" type="ORGANIZATION" weightage="60" keywordseo="Disney-Company">Disney Company</keyword> in India. Kick hit more than 5,000 screens in India and 42 other countries, and had a whopping budget of Rs 125 crore. For the uninitiated, this one is a remake of the 2009 Telugu action comedy Kick, directed by <keyword id="163370" type="PERSON" weightage="80" keywordseo="Surender-Reddy">Surender Reddy</keyword>. <keyword id="6390428" type="PERSON" weightage="100" keywordseo="Chetan-Bhagat">Chetan Bhagat</keyword> has co-written <keyword id="819709" type="ENTERTAINMENT" weightage="40" keywordseo="the-script">the script</keyword> for the Hindi version. 
 
Coming back to the movie itself, it is a typical masala entertainer where everything else departs and ‘<keyword id="2448805" type="UNKNOWN" weightage="100" keywordseo="Salmania">Salmania</keyword>’ takes over. Here’s a <keyword id="18564" type="COMPANY" weightage="100" keywordseo="blockbuster">blockbuster</keyword> screening the superb exploits and high voltage action of a Robin Hood-like <keyword id="7436" type="UNKNOWN" weightage="100" keywordseo="superhero">superhero</keyword> who is forever seeking adrenaline rush. Devil, aka Devil Lal Singh (<keyword id="6354583" type="PERSON" weightage="100" keywordseo="Salman-Khan">Salman Khan</keyword>), is initially drawn to Shaina (<keyword id="6354417" type="PERSON" weightage="100" keywordseo="Jacqueline-Fernandez">Jacqueline Fernandez</keyword>), a <keyword id="33876" type="POSITION" weightage="60" keywordseo="psychiatrist">psychiatrist</keyword> living in <keyword id="47414" type="COUNTRY" weightage="80" keywordseo="Poland">Poland</keyword>, as she manages to give him enough kick on the love front. The chemistry between the two is quite enjoyable while you have a <keyword id="1476042" type="UNKNOWN" weightage="100" keywordseo="super-cop">super cop</keyword> in <keyword id="45913" type="PERSON" weightage="100" keywordseo="Himanshu">Himanshu</keyword> (<keyword id="16675" type="PERSON" weightage="100" keywordseo="Randeep-Hooda">Randeep Hooda</keyword>), trying to decode some challenging robberies masterminded by Devil (reminds you of Dhoom 3?), and a creepy villain in <keyword id="2448803" type="UNKNOWN" weightage="100" keywordseo="Shiv-Gazra">Shiv Gazra</keyword> (<keyword id="6359106" type="PERSON" weightage="100" keywordseo="Nawazuddin-Siddiqui">Nawazuddin Siddiqui</keyword>). The rest is usual Bollywood histrionics – right from accident to memory loss to melodrama and finally, a predictable climax without an ounce of surprise. But you would better forget the logic and the coherence part. The best thing that happened to this movie is Salman Khan (and the supporting cast) who sizzled all the way with devilish humour, sleek action and smooth romance. 
 
Images: Indiatimes

Box Office: Salman’s Kick A Gold-spinner, Delivers Thrills Galore

<img class="gwt-Image" src="/photo/37631979.cms" /> 
After the blockbuster beginning of <a href="http://www.businessinsider.in/Box-Office-Humshakals-Strikes-Gold-But-Theres-No-Method-In-ThisMadness/articleshow/37123366.cms">Humshakals</a>, <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> has witnessed yet another runaway success in the <keyword id="1250908" type="UNKNOWN" weightage="100" keywordseo="romantic-thriller">romantic thriller</keyword> <keyword id="2177024" type="UNKNOWN" weightage="100" keywordseo="Ek-Villain">Ek Villain</keyword>, directed by <keyword id="23758" type="PERSON" weightage="100" keywordseo="mohit-suri">Mohit Suri</keyword> (of Murder 2 and Aashiqui 2 fame) and starring <keyword id="1420" type="PERSON" weightage="100" keywordseo="Riteish-Deshmukh">Riteish Deshmukh</keyword>, <keyword id="1320874" type="PERSON" weightage="100" keywordseo="Sidharth-Malhotra">Sidharth Malhotra</keyword> and <keyword id="89958" type="PERSON" weightage="100" keywordseo="Shraddha-Kapoor">Shraddha Kapoor</keyword>. And this time, we have an interesting plot, some brilliant acting and an overflowing <keyword id="25892" type="ORGANIZATION" weightage="100" keywordseo="box-office">box office</keyword> – all in perfect sync. Released on June 27 in more than 2,500 screens in India, the flick has netted Rs 50.70 crore at home in the first three days (Friday Rs 16.72 crore, Saturday Rs 16.54 crore and Sunday Rs 17.44 crore; however, trade figure stood at Rs 49.28 crore) – the second highest weekend collection in 2014, behind Salman Khan-starrer <keyword id="6593120" type="PERSON" weightage="80" keywordseo="Jai-Ho">Jai Ho</keyword>. 
 Compared to debut day, earnings dropped 55% on the first Monday but the medium-budget (it cost around Rs 40 crore) movie managed to nett Rs 8.10 crore at home. Tuesday collections also dipped (Rs 6.80 crore) but the movie amassed a total of Rs 65.60 crore from <keyword id="54324" type="UNKNOWN" weightage="100" keywordseo="india-business">India business</keyword> after Day 5, crossing <keyword id="1718975" type="UNKNOWN" weightage="80" keywordseo="Humshakals">Humshakals</keyword>’ earnings (Rs 61.05 crore). Ek Villain has now become the fifth <keyword id="2385280" type="UNKNOWN" weightage="100" keywordseo="highest-grosser">highest grosser</keyword> of 2014, surpassing the lifetime collections of <keyword id="6377522" type="POSITION" weightage="80" keywordseo="queen">Queen</keyword> (Rs 61 crore), Main Tera Hero (Rs 55 crore), Heropanti (Rs 53.40 crore) and Ragini MMS 2 (Rs 47 crore). Going by the trend, it may soon enter Rs <keyword id="6567206" type="UNKNOWN" weightage="100" keywordseo="100-crore-club">100 crore club</keyword>. The movie was produced by <keyword id="6354597" type="PERSON" weightage="100" keywordseo="Ekta-Kapoor">Ekta Kapoor</keyword> and <keyword id="154993" type="PERSON" weightage="60" keywordseo="Shobha-Kapoor">Shobha Kapoor</keyword> under Balaji Motion Pictures and ALT Entertainment. 
 
“Ek Villain passes ‘Monday test’ with flying colours. Weekend 50.70 cr, Mon 8.10 cr. Total: Rs 58.8 cr nett. India biz. MONSTROUS HIT,” tweeted trade analyst and film critic Taran Adarsh. “Overseas weekend total is approx $2.2 million [Rs 13.24 crore]. EXCELLENT,” he added. 
 
<img class="gwt-Image" src="/photo/37632061.cms" /> 
 
Although some movie buffs may notice a marked resemblance between Ek Villain and the Korean movie <keyword id="2258746" type="UNKNOWN" weightage="100" keywordseo="I-Saw-The-Devil">I Saw the Devil</keyword>, director Suri had earlier told the media that it was not so. “That’s just one dialogue that I have taken from the <keyword id="700143" type="UNKNOWN" weightage="100" keywordseo="Korean-film">Korean film</keyword>’s promo, just like I have taken another dialogue from the film <keyword id="796794" type="PERSON" weightage="60" keywordseo="Jack-Reacher">Jack Reacher</keyword>,” Suri had told a daily. 
 Coming back to the movie itself, we must say that the ‘chill and thrill’ factor could have been more intense, especially when you have a <keyword id="1261139" type="UNKNOWN" weightage="100" keywordseo="psychopathic-killer">psychopathic killer</keyword> running loose, while the romantic part of the plot (gangster falling for the good girl) has been done to death by now and meanders a lot. In Ek Villain, all the key characters seem helplessly trapped in their own prisons and cannot get away. <keyword id="6410325" type="PERSON" weightage="100" keywordseo="guru">Guru</keyword> (Sidharth Malhotra), a former hitman, only undergoes a temporary change when <keyword id="2396273" type="UNKNOWN" weightage="100" keywordseo="Aisha-Verma">Aisha Verma</keyword> (Shraddha Kapoor) walks into his life. But he goes back to his original vengeful self when Aisha dies, not of terminal illness but murdered by a serial killer. However, it is Riteish Deshmukh (<keyword id="2396274" type="UNKNOWN" weightage="100" keywordseo="Rakesh-Mahadkar">Rakesh Mahadkar</keyword>) who walks away with the honours. He is the perfect psychopath – an oppressed individual, a henpecked husband, a desperate lover and a ruthless killer all rolled in one. 
 Overall, the concoction of drama and <keyword id="1278055" type="UNKNOWN" weightage="100" keywordseo="melodrama">melodrama</keyword>, romance and terror has diluted the plot. But one still gets to see some fine performance and the flick is certainly a lot different from the routine Bollywood themes. And the best part of it all? Ek Villain has won hearts and set the cash register ringing. 
 
Images: Indiatimes

Box
Office: Ek Villain A Runaway Success, May Soon Enter Rs 100 Crore Club

<img class="gwt-Image" src="/photo/26416032.cms" /> 
All good things must come to an end and the same goes for Bollywood. After a magnificent spell of back-to-back blockbusters in the form 
of <keyword id="227940" type="COMPANY" weightage="100" keywordseo="Chennai-Express">Chennai Express</keyword>, <keyword id="500441" type="ENTERTAINMENT" weightage="100" keywordseo="Krrish-3">Krrish 3</keyword> and <keyword id="1886157" type="UNKNOWN" weightage="100" keywordseo="Ram-Leela">Ram-Leela</keyword> (yes, this flick from <keyword id="6358308" type="PERSON" weightage="100" keywordseo="sanjay-leela-bhansali">Sanjay Leela Bhansali</keyword> is finally looking <keyword id="41744" type="ENTERTAINMENT" weightage="100" keywordseo="UP">up</keyword> and nearing the Rs 100 crore mark but more on that later), two more movies hit the screens on Friday (November 22) – <keyword id="2165" type="PERSON" weightage="100" keywordseo="Kareena-Kapoor">Kareena Kapoor</keyword> (<keyword id="2857" type="COMPANY" weightage="100" keywordseo="Bebo">Bebo</keyword>) and <keyword id="14676" type="PERSON" weightage="100" keywordseo="Imran-Khan">Imran Khan</keyword>’s much-hyped <keyword id="1636016" type="UNKNOWN" weightage="100" keywordseo="rom-com">rom-com</keyword> <keyword id="1538595" type="UNKNOWN" weightage="100" keywordseo="Gori-Tere-Pyaar-Mein">Gori Tere Pyaar Mein</keyword> and <keyword id="9271" type="PERSON" weightage="100" keywordseo="Sunny-Deol">Sunny Deol</keyword>’s rustic action flick <keyword id="1481019" type="UNKNOWN" weightage="100" keywordseo="Singh-Saab-The-Great">Singh Saab The Great</keyword>. But after our usual 4-day tally, the numbers are none too impressive. 
 
Let’s take a close look at Gori Tere first, directed by <keyword id="112568" type="PERSON" weightage="100" keywordseo="Punit-Malhotra">Punit Malhotra</keyword>. According to a trade website, the total collection after 4 days (Nov 22-25) stands at a paltry Rs 16.5 crore and certainly nowhere near the Big League. In his latest tweet, film critic and analyst Taran Adarsh says: #GTPM is better in UAE, below the mark in USA-Canada &amp; UK, poor in Australia and disaster in NZ. Overseas total: $ 980,000 [Rs 6.12 crore]. 
 
If the collection doesn’t pick up soon, Imran could be in trouble. Well, <keyword id="828519" type="UNKNOWN" weightage="80" keywordseo="Ek-Main-Aur-Ekk-Tu">Ek Main Aur Ekk Tu</keyword> (Shakun Batra’s directorial debut in 2012), his last movie opposite Bebo, did well at <keyword id="25892" type="ORGANIZATION" weightage="100" keywordseo="box-office">box office</keyword> and grossed a total of $8.1 million in India and abroad. But the year 2013 hasn’t been exactly great and both his films, <keyword id="814061" type="ENTERTAINMENT" weightage="80" keywordseo="Matru-Ki-Bijlee-Ka-Mandola">Matru Ki Bijlee Ka Mandola</keyword> (a <keyword id="825824" type="UNKNOWN" weightage="80" keywordseo="political-satire">political satire</keyword>) and <keyword id="1717335" type="UNKNOWN" weightage="80" keywordseo="Once-Upon-A-Time-In-Mumbai-Dobaara">Once Upon A Time In Mumbai Dobaara</keyword> (a <keyword id="1952408" type="UNKNOWN" weightage="80" keywordseo="Gangster-flick">gangster flick</keyword>) failed to bomb the box office. In contrast, Bebo has done extremely well in Madhur Bhandarkar’s <keyword id="6439486" type="ENTERTAINMENT" weightage="80" keywordseo="heroine">Heroine</keyword> and <keyword id="125922" type="PERSON" weightage="80" keywordseo="Reema-Kagti">Reema Kagti</keyword>’s suspense thriller <keyword id="1952412" type="UNKNOWN" weightage="80" keywordseo="Talaash-The-Answer-Lies-Within">Talaash: The Answer Lies Within</keyword>. Starring <keyword id="6355923" type="PERSON" weightage="80" keywordseo="Aamir-Khan">Aamir Khan</keyword>, Rani Mukerji and Kareena Kapoor, <keyword id="861273" type="ENTERTAINMENT" weightage="80" keywordseo="Talaash">Talaash</keyword> also entered the <keyword id="925977" type="UNKNOWN" weightage="100" keywordseo="Rs-100-crore-club">Rs 100 crore club</keyword> and raked in a total of Rs 131.78 crore. 
 However, the <keyword id="1952416" type="UNKNOWN" weightage="100" keywordseo="Lukewarm-response">lukewarm response</keyword> to Gori Tere could be due to the over-used theme. Although Imran sparkles in his romedy (romance-comedy) role as a rich architect and Bebo looks pretty stunning in her desi avatar while she pursues her fiery zeal for social work, the ‘bridging’ between the ‘unlikely’ partners is kind of predictable nowadays. And strangely enough, this flick reminds you of an earlier hit (<keyword id="14521" type="ENTERTAINMENT" weightage="80" keywordseo="Jab-We-Met">Jab We Met</keyword>) where Bebo did it with equal spontaneity and spunk. Gori Tere is sweet and breezy, but the freshness of the <keyword id="1952417" type="UNKNOWN" weightage="80" keywordseo="Shahid-Kapoor-Bebo">Shahid Kapoor-Bebo</keyword> starrer is somewhat missing here and the sparks are not flying. In perspective, Adarsh has tweeted: #BusinessTalk: #RamLeela dominates, #GTPM dismal, #SSTG decent in mass circuits! 
 
And that brings us to the other movie of the week – Gadar director Anil Sharma’s Singh Saab The Great. Sunny Deol-starrer Singh Saab has moved ahead of Gori Tere and grossed around Rs 21.5 crore after four days. The response has been good in North India, especially in Punjab and Delhi, and single screens have seen good turnouts except in the East and the South. 
 In this <keyword id="1952421" type="UNKNOWN" weightage="100" keywordseo="Action-drama">action drama</keyword>, Sunny plays a collector of a small city in <keyword id="6357713" type="COMPANY" weightage="100" keywordseo="Uttar-Pradesh">Uttar Pradesh</keyword> and values his honesty and integrity more than anything else. He fights corruption and injustice to usher in the change that real-life politicos never stop mentioning. Overall, it features a contemporary and relevant theme that can impact the audience. <keyword id="1855052" type="ORGANIZATION" weightage="100" keywordseo="SSTG">SSTG</keyword> [limited screens] is best in USA-Canada, but ordinary elsewhere. Overseas total: approx $400,000 [Rs. 2.50 crore], tweeted Adarsh. 
 Meanwhile, Bhansali’s Ram-Leela is catching up after some initial hiccups. Last week, the Lucknow bench of the <keyword id="48834" type="ORGANIZATION" weightage="80" keywordseo="Allahabad-High-Court">Allahabad High Court</keyword> banned the screening of <keyword id="1942272" type="UNKNOWN" weightage="100" keywordseo="Goliyon-Ki-Raasleela-Ram-leela">Goliyon ki Raasleela Ram-Leela</keyword> in Uttar Pradesh. The court has, however, allowed the producer and director to run the film without using ‘Ram-Leela’ and ‘Raasleela’ in the title. In its ruling, the bench said, “We are only concerned with the use of word ‘Ram-Leela’ in the title of the film, which hurts the sentiments of billions of peoples not only in India but all over the world.” 
 
But in spite of the controversies, Ram-Leela continues to dominate and seems to have overtaken Krrish 3 in the global market. According to Adarsh, #Krrish3 affected by #RamLeela wave. Overseas total *after Weekend 4*: approx $8.5 million [Rs 53.07 crore]. Blockbuster! 
 
As of now (after the 26th day), Krrish 3 has grossed a total of Rs 263.20 crore. But the question is – can Ram-Leela overtake Krrish 3 and become the topmost earner? We need to wait and watch – picture abhi baki hai and the box office war is far from over. 
 
Image: Indiatimes

'Gori Tere Pyaar Mein' Not Yet A Box Office Hit; 'Singh
Saab' Moves Up The Scale

<img class="gwt-Image" src="/photo/34077450.cms" /> <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> has finally come up with a fun-filled, breezy rom-com that features the Gen Y with a genuine frankness and without the traditional trappings of a boy-meets-girl story. But this time, the man is from the North, the woman is from the South and the cultural clashes, strongly upheld by the two pairs of in-laws, nearly ruin the relationship. Inspired by <keyword id="6390428" type="PERSON" weightage="100" keywordseo="Chetan-Bhagat">Chetan Bhagat</keyword>’s best-selling novel, <keyword id="694041" type="UNKNOWN" weightage="100" keywordseo="2-States-The-Story-of-My-Marriage">2 States: The Story of My Marriage</keyword>, the Arjun Kapoor-Alia Bhatt-starrer <keyword id="72970" type="UNKNOWN" weightage="100" keywordseo="2-States">2 States</keyword> sparkles on-screen (at least during the first half) and has made a big bang at the <keyword id="827271" type="UNKNOWN" weightage="100" keywordseo="Domestic-Box-Office">domestic box office</keyword>, collecting around Rs 38 crore nett over its debut weekend. The first Monday (Day 4, April 21) did not disappoint either and earnings stood at around Rs 6 crore, as per Koimoi. Total <keyword id="1996079" type="UNKNOWN" weightage="100" keywordseo="Overseas-collections">overseas collections</keyword> during the first weekend amounted to an estimated Rs 13.66 crore. 
 
“2 States has a FANTABULOUS weekend. Friday Rs 12.42 crore, Saturday 12.13 crore, Sunday 13.51 crore. Total: Rs 38.06 crore nett. SUPER HIT,” tweeted trade analyst Taran Adarsh. According to <keyword id="255727" type="COMPANY" weightage="100" keywordseo="Box-Office-India">Box Office India</keyword>, the film has emerged as the biggest hit of 2014 and has the potential to be the first Super Hit film of the year, depending on how well it can sustain over the next 10 days or so. 
 
Other two releases of the week include <keyword id="1135108" type="UNKNOWN" weightage="100" keywordseo="Dekh-Tamasha-Dekh">Dekh Tamasha Dekh</keyword>, a brutally honest and vitriolic political <keyword id="1462374" type="COMPANY" weightage="100" keywordseo="Satire">satire</keyword> directed by theatre icon Feroz Abbas Khan (of Tumhari Amrita fame), and <keyword id="1167288" type="UNKNOWN" weightage="100" keywordseo="Lucky-Kabootar">Lucky Kabootar</keyword>, a <keyword id="24069" type="UNKNOWN" weightage="100" keywordseo="romantic-comedy">romantic comedy</keyword> starring <keyword id="1364986" type="UNKNOWN" weightage="100" keywordseo="Eijaaz-Khan">Eijaaz Khan</keyword> and <keyword id="3212" type="PERSON" weightage="100" keywordseo="Kulraj-Randhawa">Kulraj Randhawa</keyword>. The latter, directed by <keyword id="1660883" type="UNKNOWN" weightage="100" keywordseo="Shammi-Chhabra">Shammi Chhabra</keyword>, has been released after too many delays and depicts how <keyword id="6369280" type="COMPANY" weightage="100" keywordseo="Lucky">Lucky</keyword> (Eijaaz) ends up marrying the Plain Jane <keyword id="1734" type="PERSON" weightage="100" keywordseo="Laxmi">Laxmi</keyword> (Kulraj), instead of the glam babe <keyword id="190428" type="PERSON" weightage="100" keywordseo="Kammo">Kammo</keyword> (<keyword id="33221" type="PERSON" weightage="100" keywordseo="Shraddha-Das">Shraddha Das</keyword>). But for both the movies, the collections are hardly notable, thanks to very little promotion and near-zero hype. While Lucky Kabootar collected a little over Rs 1 crore in the first two days (Sunday and Monday numbers are still <keyword id="6357415" type="ENTERTAINMENT" weightage="60" keywordseo="missing">missing</keyword>), Dekh Tamasha Dekh garnered around Rs 4.7 crore during the same time span. But we will take a closer look at these two after decoding the tremendous <keyword id="25892" type="ORGANIZATION" weightage="100" keywordseo="box-office">box office</keyword> success of 2 States. 
 
<img class="gwt-Image" src="/photo/34077499.cms" /> 
 With the <keyword id="6364416" type="COMPANY" weightage="80" keywordseo="Good-Friday">Good Friday</keyword> fervour adding to its charm, <keyword id="2208706" type="UNKNOWN" weightage="100" keywordseo="Abhishek-Varman-directed">Abhishek Varman-directed</keyword> 2 States saw 50-60% occupancy at multiplexes on the first day and also did well in the mass belt. Till date, the best performers are Mumbai and Mysore, with Mumbai amassing over Rs 13 crore nett and Mysore collecting around Rs 3 crore nett. The movie’s opening is the second biggest ever for a non-star-cast film after <keyword id="6621270" type="UNKNOWN" weightage="100" keywordseo="Grand-Masti">Grand Masti</keyword> (2013). <keyword id="127336" type="ENTERTAINMENT" weightage="100" keywordseo="Bhaag-Milkha-Bhaag">Bhaag Milkha Bhaag</keyword> (2013), <keyword id="549195" type="ENTERTAINMENT" weightage="100" keywordseo="Student-of-the-Year">Student Of The Year</keyword> (2012) and <keyword id="1710502" type="UNKNOWN" weightage="100" keywordseo="Shuddh-Desi-Romance">Shuddh Desi Romance</keyword> (2013) are the next in order after 2 States. 2 States is also one of the highest grossers of 2014 and has already surpassed the lifetime collections of some noted <keyword id="569603" type="UNKNOWN" weightage="100" keywordseo="Bollywood-flicks">Bollywood flicks</keyword> including <keyword id="1520199" type="UNKNOWN" weightage="100" keywordseo="Hasee-Toh-Phasee">Hasee Toh Phasee</keyword>, <keyword id="853887" type="UNKNOWN" weightage="100" keywordseo="Shaadi-Ke-Side-Effects">Shaadi Ke Side Effects</keyword>, <keyword id="6354768" type="ORGANIZATION" weightage="100" keywordseo="Highway">Highway</keyword> and <keyword id="1434830" type="UNKNOWN" weightage="100" keywordseo="Yaariyan">Yaariyan</keyword>. That is definitely good news for producers <keyword id="27326" type="PERSON" weightage="100" keywordseo="Sajid-Nadiadwala">Sajid Nadiadwala</keyword> and <keyword id="3778" type="PERSON" weightage="80" keywordseo="Karan-Johar">Karan Johar</keyword>. 
 Going by its <keyword id="1996031" type="UNKNOWN" weightage="100" keywordseo="Box-office-performance">box office performance</keyword>, 2 States seems to have done a commendable job, with <keyword id="6354526" type="UNKNOWN" weightage="100" keywordseo="Alia-Bhatt">Alia Bhatt</keyword> (<keyword id="2204646" type="UNKNOWN" weightage="100" keywordseo="Ananya-Swaminathan">Ananya Swaminathan</keyword>) and <keyword id="114453" type="PERSON" weightage="100" keywordseo="Arjun-Kapoor">Arjun Kapoor</keyword> (<keyword id="2204645" type="UNKNOWN" weightage="100" keywordseo="Krish-Malhotra">Krish Malhotra</keyword>) showing a rare on-screen chemistry that rocks and sizzles. The young people meet at the <keyword id="6429635" type="ORGANIZATION" weightage="100" keywordseo="IIM-Ahmedabad">IIM-Ahmedabad</keyword> campus and fall in love, but it is, by no means, a campus romance as harsh social realities await them outside. And the movie, too, stumbles at that point as we are led to <keyword id="122267" type="UNKNOWN" weightage="80" keywordseo="orthodox">orthodox</keyword> households (Krish is a <keyword id="5105" type="ORGANIZATION" weightage="100" keywordseo="Punjabi">Punjabi</keyword> lad and Ananya is a <keyword id="6356629" type="COMPANY" weightage="100" keywordseo="tamil">Tamil</keyword> lass from Chennai as all of you must know by now), instead of modern abodes housing millennial open culture, and two pairs of stereotype Bollywood parents. The rest of the struggles and tribulations faced by the young lovers follow the beaten path until the final-and-inevitable reconciliation that makes everyone happy. 
 
Interestingly, Bhagat’s work has managed to ward off the cliché that lies inherent in cultural clashes and generation gaps. However, the movie has an overdose of everything although it manages to retain some kind of charm that will keep you hooked. As Saibal Chatterjee of NDTV so rightly pointed out, “2 States is a <keyword id="2208734" type="UNKNOWN" weightage="100" keywordseo="Cross-culture-love-story">cross-culture love story</keyword> that strives to be sweet, funny and emotionally wrenching all at once. It is occasionally funny and sweet in parts all right, but the <keyword id="1204454" type="UNKNOWN" weightage="100" keywordseo="family-drama">family drama</keyword> at the film’s core has a severely stultified feel… It sets out to be a slice-of-life drama about a real couple grappling with the politics of <keyword id="2208729" type="UNKNOWN" weightage="100" keywordseo="Inter-community-marriage">inter-community marriage</keyword>, but it fails to generate enough energy and warmth to draw the audience into a tight clinch.” 
 
In stark contrast to 2 States, Dekh Tamasha Dekh (starring <keyword id="317266" type="PERSON" weightage="100" keywordseo="Vinay-Jain">Vinay Jain</keyword>, <keyword id="2218" type="PERSON" weightage="100" keywordseo="Satish-Kaushik">Satish Kaushik</keyword> and <keyword id="1559" type="PERSON" weightage="100" keywordseo="tanvi-azmi">Tanvi Azmi</keyword>) is based on a true story and ruthlessly reveals a nation’s <keyword id="2208740" type="UNKNOWN" weightage="100" keywordseo="Political-hypocrisy">political hypocrisy</keyword> and <keyword id="877158" type="UNKNOWN" weightage="100" keywordseo="Communal-Disharmony">communal disharmony</keyword> with the help of its twin tools – satire and <keyword id="424300" type="UNKNOWN" weightage="100" keywordseo="Irony">irony</keyword>. Too many human elements are woven here in a complex tapestry, but the very core of <keyword id="6355987" type="ORGANIZATION" weightage="100" keywordseo="violence">violence</keyword>, <keyword id="6388475" type="UNKNOWN" weightage="100" keywordseo="tragedy">tragedy</keyword> and hopelessness would hit us hard and keep us wondering about the multi-layered reality we are compelled to confront every day. Although not a typical art house film, this movie is meant for a niche audience and offers a <keyword id="2208742" type="UNKNOWN" weightage="100" keywordseo="Gripping-tale">gripping tale</keyword> of the <keyword id="911828" type="UNKNOWN" weightage="100" keywordseo="dark-forces">dark forces</keyword> that we are not likely to forget in a hurry. 
 
Images: Indiatimes

Box Office: 2 States Raking
In Big Bucks; Dekh Tamasha Dekh Offers A Gripping Tale

<ul class="summary-list"><li>"<keyword id="14001612" type="UNKNOWN" weightage="60" keywordseo="jurassic-world" source="Orion">Jurassic World</keyword>: Dominion" opens in US theaters this weekend.</li><li>Projections have been conservative as it faces poor reviews and competition from "Top Gun: Maverick."</li></ul>"Jurassic World: Dominion" hits theaters in the US this weekend amid poor reviews and <a href="https://www.businessinsider.com/how-top-gun-maverick-set-memorial-day-box-office-record-2022-5">"Top Gun: Maverick's" continued dominance</a> at the <keyword id="11957006" type="UNKNOWN" weightage="60" keywordseo="box-office" source="Orion">box office</keyword>."Dominion" is still expected to top the box office this weekend, but expectations have been tempered after it received a 38% critic score on Rotten Tomatoes, the worst of the "Jurassic Park" franchise.Indiewire's <a href="https://www.indiewire.com/2022/06/jurassic-world-dominion-review-1234731384/">review</a> called it "one of the worst big-budget <keyword id="11895191" type="UNKNOWN" weightage="60" keywordseo="hollywood" source="Orion">Hollywood</keyword> blockbusters" since the first "Jurassic World."Box Office Mojo's Sam Mendelsohn wrote that the "Dominion" will likely open below the first two "Jurassic World" <keyword id="11898343" type="UNKNOWN" weightage="60" keywordseo="movies" source="Orion">movies</keyword>. 2015's "Jurassic World" scored $209 million in its US opening and the sequel, 2018's "Fallen Kingdom," earned $148 million. Shawn Robbins, the Box Office Pro chief analyst, <a href="https://www.boxofficepro.com/preliminary-weekend-box-office-forecast-jurassic-world-dominion-hopes-to-overcome-review-woes-in-the-wake-of-top-gun-mavericks-momentum/">lowered his prediction</a> for the movie's opening weekend from <a href="https://www.businessinsider.com/summer-box-office-reviving-but-movie-theaters-still-face-challenges-2022-6">as much as $210 million last week</a>, to as much as $167 million as of Wednesday."Dominion" will enter a competitive market, "with 'Maverick' expected to continue holding strong with the aforementioned over-35 crowd — many of whom Universal is targeting with the nostalgia play of this particular 'Jurassic,'" Robbins wrote.After opening to <a href="https://www.businessinsider.com/how-top-gun-maverick-set-memorial-day-box-office-record-2022-5">a record $160 million over the Memorial Day holiday</a>, "Maverick" held strong last weekend with $90 million. It enters its third weekend with tons of momentum, and Robbins is projecting it to take another $57 million at the US box office."Maverick" has been riding off of strong word of mouth, given its 97% Rotten Tomatoes critic score and A+ grade from CinemaScore, a company that surveys audiences on a movie's opening night.This doesn't mean "Dominion" <a href="https://www.businessinsider.com/biggest-box-office-flops-of-the-year-2022-5">will flop</a>. The movie has already grossed $55 million from international markets ahead of its US debut. Its two predecessors both grossed over $1 billion worldwide, even with subpar reviews."Even if it underperforms stateside, the overseas openings we've seen so far suggest we may be in for another billion grosser worldwide," Box Office Mojo's Mendelsohn wrote.The China market could make or break its $1 billion chances, though.The first two movies grossed $228 million and $261 million, respectively, there. "Dominion" will also open in China this weekend, but Hollywood movies haven't been performing at pre-pandemic levels in the market due to a mix of shifting consumer interests, Chinese productions becoming more of a focus for the local film administration, and, more recently, pandemic-related lockdowns.

'Jurassic World: Dominion' is up against poor reviews and 'Top Gun' at the box office

<img class="gwt-Image" src="/photo/52622114.cms" style="width: 800px; height: 600px;" /> 
 On Monday, <keyword id="128026" type="CITY" weightage="100" keywordseo="Eros-International">Eros International</keyword> announced the record breaking success of one of the biggest franchises, <a href="http://www.businessinsider.in/searchresult.cms?query=housefull+3&amp;sortorder=effectivedate">Housefull 3</a> at the box office. As it turns out, the film has already collected over Rs. 100.03 crores (USD 15 million) across the globe in the opening weekend with Rs. 73.02 crores gross (Rs. 53.31 crores net box Office) in India and Rs. 27.01 crores overseas. 
 
Produced by Sajid Nadiadwala &amp; Eros International and directed by Farhad-Sajid, the film starring <a href="http://www.businessinsider.in/searchresult.cms?query=akshay+kumar&amp;sortorder=effectivedate">Akshay Kumar</a>, Riteish Deshmukh and <a href="http://www.businessinsider.in/searchresult.cms?query=abhishek+bachchan&amp;sortorder=effectivedate">Abhishek Bachchan</a> opened worldwide on 3rd June 2016. 
 
One of the most anticipated films of the year, <keyword id="6778229" type="UNKNOWN" weightage="100" keywordseo="Housefull-3">Housefull 3</keyword> set the cash registers ringing with Friday collections being over ₹ 15.21 crores in India and continued to witness the upward trend on Saturday with ₹ 16.30 crores. Courtesy a blockbuster Sunday, the film saw an unprecedented response raking in ₹ 21.80 crores, taking the total weekend net to Rs. 53.31 crores. 
 
The film opened to an impressive start in the overseas markets as well with phenomenal collections in the US and Canada with USD 700000 plus in 3 days. The film collected approximately F$141,000 in Fiji in 4 days, creating a new record to become the highest ever Bollywood grosser in the country, beating Bajrangi Bhaijaan’s collections of F$125,000. 
 
Commenting on the film’s success, Nandu Ahuja, Sr. VP, India Theatrical, Eros International Media Ltd said, “We are elated with the response Housefull 3 has garnered across India. The film is a complete laugh riot, a family entertainer that has appealed to audiences of all age brackets and the weekend box office collections are a testimony to that. This marks the return of comedy and the film has lived up to the huge hype and expectations from the successful franchise”. 
 
Commenting on the overseas success, Pranab Kapadia, President - Marketing and Distribution, Eros International Plc, says, “Housefull 3 was one of the most awaited films of 2016 in the overseas markets and a perfect start to the summer. The film has opened tremendously across UK, US, Canada and UAE. We are confident that the film will continue its winning streak at the box office this week as well.” 
 
Eros International now gears up for its next release with Nadiadwala Grandson Entertainment, buddy cop action adventure <keyword id="2613574" type="UNKNOWN" weightage="100" keywordseo="Dishoom">Dishoom</keyword>, starring <keyword id="6354967" type="PERSON" weightage="100" keywordseo="John-Abraham">John Abraham</keyword>, Varun Dhawan and <keyword id="6354417" type="PERSON" weightage="100" keywordseo="Jacqueline-Fernandez">Jacqueline Fernandez</keyword> and directed by Rohit Dhawan, slated to release worldwide on 29th July 2016.

Housefull 3 laughs its way to the box office, grosses Rs 100 crore worldwide on its opening weekend

<div class="KonaFilter image-container display-table"><div><div class="image on-image"><img src="https://static-ssl.businessinsider.com/image/594296c850466b58028b48f6-1200/the mummy 3 universal final.jpg" alt="The Mummy 3 Universal final" data-mce-source="Universal" />Universal"The Mummy" was one of the many movies no one went to see in the US in 2017.</div></div></div><ul><li>The total number of movie tickets sold in 2017 was 1.239 billion.</li><li>That's the lowest total since 1992.</li><li>Many are choosing to stay home and watch streaming content.</li></ul><hr /> The numbers don't lie. No one went to the movies in 2017. Sure, you probably went to see "Star Wars: The Last Jedi," "Wonder Woman," or maybe a Marvel movie, but the ticket totals are in and that's the true barometer of the state of the exhibition business. And it's not a pretty picture. The total number of tickets sold at the domestic box office in 2017 was 1.239 billion, according to <a href="http://www.boxofficemojo.com/yearly/" target="_blank" rel="noopener">Box Office Mojo</a>. That's a 5.8% drop compared to 2016. But it's also the lowest total since 1992 (1.173 billion).The domestic box office gross barely crossed the $11 billion mark this year with $11.065 billion (thanks to December releases "The Last Jedi" and "Jumanji: Welcome to the Jungle"). That doesn't look like a major drop, as it's just 3% lower than the all-time best domestic mark hit last year ($11.377 billion), but that figure gets a lot of help from bloated ticket prices - not just for regular 2D movies (last year the average hovered <a href="http://www.boxofficemojo.com/about/adjuster.htm" target="_blank" rel="noopener">just under $9</a>), but also the expensive price to see movies on IMAX, RealD, and MX4D screens.If you look at just the butts in the seats, the movie business needs a revamp. "Studios are lagging behind for the very simple reason that they are relying on retreads and reboots, and most of those aren't being well received," Jeff Bock, senior analyst for Exhibitor Relations, told Business Insider.<div class="KonaFilter image-container display-table float_right"><div><div class="image on-image"><img src="https://static-ssl.businessinsider.com/image/5a37ffd84aa6b519158b5817-1333/mv5bmze2mjyzodu0m15bml5banbnxkftztgwodu3mda1otev1sy1000cr0015021000al.jpg" alt="Power Rangers" data-mce-source="Lionsgate" />Lionsgate"Power Rangers," everyone skipped that one, too.</div></div></div>The <a href="http://www.boxofficemojo.com/yearly/chart/?yr=2017&amp;p=.htm" target="_blank" rel="noopener">top 10 domestic grossers</a> of 2017 were all just that. And there were plenty released this year that underperformed as well ("Alien: Covenant," "Transformers: The Last Knight," "Pirates of the Caribbean: Dead Men Tell No Tales" - though all three of these titles did much better overseas). Now pile on top of that titles that were supposed to launch new franchises for years to come but ended up being DOA ("The Mummy," "Power Rangers"), and you have a lot of releases in the multiplex this year that were full of empty seats. So instead of going to the movies, audiences stayed home and watched what was on streaming services. "Audiences are continuing to flock to streaming in droves for challenging content and that doesn't look to change in 2018, or the near future," Bock said. "The studios are up against the wall, and the next few years they'll have to produce a plethora of quality films to win back favor with audiences."Or they could do what's been common in Hollywood for 100-plus years: "If you can't beat 'em, join 'em." With Disney's announcement last summer that it will soon launch <a href="http://www.businessinsider.com/disney-ending-exclusive-netflix-deal-in-2019-launching-rival-streaming-service-2017-8">its own streaming service</a>, more studios could do the same.We may truly be at the moment where the moviegoing experience drastically changes forever. <div class="margin-top"> <h3>NOW WATCH: <a href="http://www.businessinsider.com/behind-scenes-fox-news-star-shepard-smith-donald-trump-politics-2017-12">Behind the scenes with Shepard Smith - the Fox News star who's not afraid to take on Trump</a></h3> <div> <iframe class="bijwplayerclass" data-player="jwplayer" src="https://content.jwplatform.com/players/5s6WRuie-CEZHWCBG.html" width="100%" height="100%" frameborder="0" scrolling="auto" style="margin:0px;" allowfullscreen=""></iframe><script>function receiveMessage(event){ console.log(event.data.fullscreen); Android.fullscreen(event.data.fullscreen); }window.addEventListener("message", receiveMessage, false);</script> </div> </div>

Movie attendance hit a 25-year low in the US in 2017, as viewers 'flock to streaming in droves'

<img class="gwt-Image" src="/photo/46540210.cms" /> 
 
Indian actor Aamir Khan, who has been in news for his rant against controversial show AIB Roast and for his role of a wrestler in the upcoming movie Dangal, recently apologised to the people who were hurt by his last release PK. 
 
PK, 2014’s biggest hit, managed to hit both right and wrong chords because of its controversial topic, involving major Indian religions and faiths in Godmen. Aamir Khan, who played an alien in the movie, apologised to those offended by the movie at the launch of the movie’s DVD. 
 
"The film has been loved by the majority. Personally I want to say I feel bad if I hurt a single person; that was not my intention at all. What we wanted to tell we told that because it was an important point. But I want to apologise if I hurt people," Aamir was quoted saying. 
 
"Yes, we never expected this business. When we make a film with such effort and hard work and when people connect to the film emotionally you feel so good and fulfilled," he said. 
 
"Roughly the net collection in India is around Rs 340 crore and overseas is Rs 170 crore. So the net business is over Rs 500 crore and the gross may be Rs 600-650 crore," Aamir informed. 
 
Vidhu Vinod Chopra and Rajkumar Hirani, who donned the hats of producer and director of the movie, respectively, were also present with Aamir Khan at the event. 
 
"We are actually pushing our limits, with every film we do we try to make new grounds. We almost spent almost five years to make this film and another six-seven months in the editing room perfecting every scene. This DVD is very precious," said Chopra. 
 
"This is the first time that I had deleted scenes in a film. Now when we watch them (deleted scenes) we realized those scenes were funny but because of the length we could not include it," Hirani was quoted saying. 
 PK, starring Anushka Sharma, Sushant Singh Rajput, Saurabh Shukla and Boman Irani, released on December 19 last year and became the highest grosser in <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> despite several people demanding a ban on the movie, claiming that it hurt their religious sentiments. 
 
Image courtesy BCCL

Aamir Khan apologises to people offended by ‘PK’

<img class="gwt-Image" src="/photo/32243274.cms" /> Here is one <keyword id="2045029" type="UNKNOWN" weightage="100" keywordseo="Bollywood-rom-com">Bollywood rom-com</keyword> that could have raised some serious questions about recession and its backlash, hollow consumerism and Gen Y lifestyle, without losing its frothiness. But Nupur Asthana-directed <keyword id="2045255" type="UNKNOWN" weightage="100" keywordseo="Bewakoofiyaan">Bewakoofiyaan</keyword> (from the house of <keyword id="36603" type="CITY" weightage="100" keywordseo="Yash-Raj-Films">Yash Raj Films</keyword>) does not go beyond the first layer of the grim reality and tanks at the <keyword id="25892" type="ORGANIZATION" weightage="100" keywordseo="box-office">box office</keyword>. The flick, starring <keyword id="6354535" type="PERSON" weightage="100" keywordseo="Ayushmann-Khurrana">Ayushmann Khurrana</keyword>, <keyword id="710" type="PERSON" weightage="100" keywordseo="Sonam-Kapoor">Sonam Kapoor</keyword> and <keyword id="6357910" type="PERSON" weightage="100" keywordseo="Rishi-Kapoor">Rishi Kapoor</keyword>, was released on Friday the 14th, exactly a month after Valentine’s Day, and turned out to be a damp squib – netting around Rs 6.75 crore at home after the first weekend. That’s quite disappointing as business should have picked up during the <keyword id="2144242" type="UNKNOWN" weightage="100" keywordseo="Holi-weekend">Holi weekend</keyword>. Also, the crucial Day 4 figures are not available yet as movie theatres across Northern India did not open till 3 pm on Monday (March 17) on account of Holi. As per a report by Rentrak, the opening weekend collection stood at $46,888 (Rs 28.64 lakh) in the US where Bewakoofiyaan was released in 51 theatres. 
 
Interestingly, Kangna Ranaut-starrer <a href="http://www.businessinsider.in/Box-Office-Queen-OutshinesGulaab-Gang-Total-Siyapaa-Tanks/articleshow/31848837.cms">Queen</a>, released on March 7, continues to rule the <keyword id="827271" type="UNKNOWN" weightage="100" keywordseo="Domestic-Box-Office">domestic box office</keyword> in the second week and has netted a little over Rs 31 crore after Day 10, according to trade estimates. The flick has grossed around Rs 5.3 crore overseas during this time span and could be well on its way to become another <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> top-grosser in 2014 after Salman’s Khan’s <a href="http://www.businessinsider.in/Sunny-Leone-SizzlesIn-Ragini-MMS-2-Jai-Ho-Finally-Enters-100-Crore-Club/articleshow/29870204.cms">Jai Ho</a>. On the other hand, the much-touted <a href="http://www.businessinsider.in/Box-Office-Queen-OutshinesGulaab-Gang-Total-Siyapaa-Tanks/articleshow/31848837.cms">Gulaab Gang</a>, starring <keyword id="289" type="PERSON" weightage="80" keywordseo="madhuri-dixit-nene">Madhuri Dixit Nene</keyword> and <keyword id="6371319" type="PERSON" weightage="80" keywordseo="Juhi-Chawla">Juhi Chawla</keyword>, has considerably slowed down at the domestic box office, collecting around Rs 13 crore till date, as per Koimoi. 
 
The other release of the week is <keyword id="329977" type="PERSON" weightage="100" keywordseo="W">W</keyword>, a <keyword id="2144245" type="UNKNOWN" weightage="100" keywordseo="Musical-thriller">musical thriller</keyword> directed by <keyword id="2077464" type="UNKNOWN" weightage="100" keywordseo="Tarun-Madan-Chopra">Tarun Madan Chopra</keyword> and starring <keyword id="2144218" type="UNKNOWN" weightage="100" keywordseo="Leeza-Mangaldas">Leeza Mangaldas</keyword> (Sandy), Leslie Tripathy (Ruhi), Sonal Giani (Manu) and others. This one is a movie with a message and deals with the trauma of three rape victims, seeking justice in a male-dominated society. But don’t try to compare it with the regional but hugely acclaimed Adalat o Ekti Meye, directed by Tapan Sinha. The emotional pain and conflict are <keyword id="6357415" type="ENTERTAINMENT" weightage="80" keywordseo="missing">missing</keyword> here even though the movie is dealing with a sensitive issue like rape. Instead, we land up in a stereotype <keyword id="1321184" type="UNKNOWN" weightage="100" keywordseo="revenge-drama">revenge drama</keyword> that works out all too smoothly. The <keyword id="2034852" type="UNKNOWN" weightage="100" keywordseo="Box-office-numbers">box office numbers</keyword> are yet to arrive and we will keep you updated. 
 
Coming back to the storyline of Bewakoofiyaan, it is not difficult to see how ‘grave’ issues like joblessness and the consequent loss of social status have been watered down till everything falls into place as per Bollywood tradition. Here, we have <keyword id="793543" type="PERSON" weightage="100" keywordseo="mohit-chaddha">Mohit Chaddha</keyword> (Ayushmann Khurrana), an <keyword id="2144224" type="UNKNOWN" weightage="100" keywordseo="ambitious-airline-executive">ambitious airline executive</keyword> who has landed the infamous pink slip; his girlfriend <keyword id="2144220" type="UNKNOWN" weightage="100" keywordseo="Mayera-Sehgal">Mayera Sehgal</keyword> (Sonam Kapoor) – an upper class, brand-worshipping Delhiite, and her highly placed, ‘practical’ father VK Sehgal (Rishi Kapoor). While Ayushmann’s fall from grace, his anger and frustration at losing the top-end lifestyle look convincing enough, Sonam never walks the talk she hands out to cheer up a depressed Ayushmann. For her, there’s no maturing of role and she looks eminently confused – trying to cope with a dictatorial papa and a boyfriend in distress. As for Rishi Kapoor, there is no saving grace either. Once again, he is the quintessential Bollywood father, ruling his daughter’s life. 
 Overall, not an inspiring movie and fails to go beyond the obvious. <keyword id="210839" type="POSITION" weightage="80" keywordseo="Critic">Critic</keyword> Sanjukta Sharma sums it up well when she says the film is flat, monotonous and defying all manner of reason, and it is no better than ‘a soap opera.’ 
 
Image: Indiatimes

You Searched For "Overseas grosser" and got 13 results

9 Bollywood Blockbusters That Entered Rs 100 Crore Club In 2013

Sanghamitra Mandal

Ram-Leela Yet To Enter Rs 100 Crore Club; What Happened After A Great Start?

Sanghamitra Mandal

Box Office: Humshakals Strikes Gold But There’s No Method In This Madness

Sanghamitra Mandal

Hrithik Roshan’s War earns ₹250 crore in 11 days—becomes second highest grosser of 2019

Preeti Soni

Box Office: Salman’s Kick A Gold-spinner, Delivers Thrills Galore

Sanghamitra Mandal

Box Office: Ek Villain A Runaway Success, May Soon Enter Rs 100 Crore Club

Sanghamitra Mandal

'Gori Tere Pyaar Mein' Not Yet A Box Office Hit; 'Singh Saab' Moves Up The Scale

Sanghamitra Mandal

Box Office: 2 States Raking In Big Bucks; Dekh Tamasha Dekh Offers A Gripping Tale

Sanghamitra Mandal

'Jurassic World: Dominion' is up against poor reviews and 'Top Gun' at the box office

Travis Clark

Housefull 3 laughs its way to the box office, grosses Rs 100 crore worldwide on its opening weekend

BI India Bureau

Movie attendance hit a 25-year low in the US in 2017, as viewers 'flock to streaming in droves'

Jason Guerrasio

Aamir Khan apologises to people offended by ‘PK’

Nandini Sharma

Box Office: Bewakoofiyaan Is Lacklustre, W Verges On Stereotype

Sanghamitra Mandal