Metacritic score: 31/100 What a critic said: “‘The Book of Henry’ is the most misguided film since the 2003 Gary Oldman abomination ‘Tiptoes.’ [Director Colin] Trevorrow is slated to helm an upcoming ‘Star Wars’ film, so y’all have fun with that.” — The Austin Chronicle (Editor’s Note: Three months after the release of this movie, Lucasfilm announced it had “mutually chosen to part ways” with Trevorrow on “Star Wars: Episode IX.”)Metacritic score: 31/100 What a critic said: “[A] depressingly inept comedy.” — Screen DailyMetacritic score: 31/100 What a critic said: “An utterly idiotic movie that uses social media as a conduit for witchcraft and mayhem.” — The WrapMetacritic score: 30/100 What a critic said: “The film is a black hole that sucks comedy into its vortex, never to be seen again.” — PasteMetacritic score: 30/100 What a critic said: “It should not exist, and the fact that it does is a slap in the face of anyone suckered into buying a ticket.” — The Globe and MailMetacritic score: 29/100 What a critic said: “From the director of ‘Suicide Squad’ and the writer of ‘Victor Frankenstein’ comes a fresh slice of hell that somehow represents new lows for them both.” — Indiewire Metacritic score: 28/100 What a critic said: “A trite little comedy so jumbled, disconnected and bad you can’t believe it doesn’t star James Franco.” — New York ObserverMetacritic score: 28/100 What a critic said: “These are all cartoon figures out of Frank Capra’s most feverish populist nightmares.” — RoberEbert.comMetacritic score: 28/100 What a critic said: “From the very beginning, this is an incoherent mess.” — RoberEbert.comMetacritic score: 28/100 What a critic said: “Given the alternative between the big-screen ‘CHiPs’ and an antiquated, low-stakes episode of the original TV series, we’d pick the latter in a heartbeat.” — The AV ClubMetacritic score: 28/100 What a critic said: “A wincingly unfunny comedy caper.” — Los Angeles TimesMetacritic score: 27/100 What a critic said: “It often feels like Flatliners is trapped between multiple genres without knowing exactly what kind of movie it wants to be, and the result is a confused mess.” — Entertainment WeeklyMetacritic score: 26/100 What a critic said: “‘The Ottoman Lieutenant’ is an overwrought nurse romance merged with a history lesson, a combination that is hard to take as seriously as the film wants to be taken.” — The New York TimesMetacritic score: 25/100 What a critic said: “‘Arsenal’ is garbage. — Chicago Sun-TimesMetacritic score: 25/100 What a critic said: “If crap movies carried penalties for inflicting torture on audiences, then ‘Rings’ would merit a death sentence.” — Rolling Stone Metacritic score: 23/100 What a critic said: “Like the four franchise fillers that preceded it, Underworld: Blood Wars is undoubtedly impervious to bad reviews. What it needs is a stake through the heart.” — Rolling StoneMetacritic score: 23/100 What a critic said: “‘The Snowman’ is ugly and nasty, but that’s not the worst of it. The worst is that it’s boring and makes no sense.” — San Francisco ChronicleMetacritic score: 23/100 What a critic said: “Watching ‘Father Figures’ is like finding a piece of food in the back of your fridge that you barely recognize, but know right away it’s not worth eating.” — The WrapMetacritic score: 21/100 What a critic said: “It’s run-of-the-mill, and crassly manipulative.” — The Guardian Metacritic score: 21/100 What a critic said: “The only thing more reliable than bad weather is bad movies, and in that respect, ‘Geostorm’ is right on forecast.” — Variety Metacritic score: 21/100 What a critic said: ‘There is both too much plot in 'Just Getting Started' and too little.” — The WrapMetacritic score: 17/100 What a critic said: “The scariest thing about Boo 2! is the idea that ‘A Madea Easter’ might be next.” — The Hollywood ReporterMetacritic score: 16/100 What a critic said: “[A] stunningly self-important but numbingly empty cocktail of romance and insulting refugee porn.” — The Hollywood ReporterMetacritic score: 15/100 What a critic said: “‘The Layover’ is an appalling movie.” — ReelViewsMetacritic score: 12/100 What a critic said: “There are plenty of words that can describe The Emoji Movie. Here are a few of them: Unfunny. Saccharine. Nonsensical. Painful. And, of course, crappy. (If you prefer the poop emoji, that works too.)” — ScreenCrush